The Philippine PEN at 61
By Virginia Jasmin Pasalo
The Philippine
PEN is a senior citizen. It is a member of the International PEN, “a worldwide association of writers
founded in London in 1921 to increase friendship and
intellectual co-operation among writers everywhere.” Initially, the
letters P, E, and N stood for "Poets,
Essayists and Novelists" but the organization has evolved to include “any other kinds of writers, such as journalists
and historians.” It also aims to strengthen the role of literature
in “developing international understanding
and world culture; to fight for freedom of
expression; and to act as
a powerful voice to help writers who are harassed, imprisoned, and sometimes
killed for their views. It is the world’s oldest human rights organization.”
During the 61st Philippine Pen Congress,
with the theme, “Writing the Nation: The
Filipino Writer and Nation-Building”, National Artist for Literature F.
Sionil Jose, founder of Philippine PEN, recounted the birth pains of the
organization and its journey towards the defense of freedom, especially under
martial law to an audience largely composed of millennials, whom he exhorted to
read history and literature that make writers “know” about the country and its
history, to be able to “write the nation” well. Writing today, he said, has too
much attention to form. He reminded those who teach writing, that they may be
able to teach the craft, “but you cannot teach imagination, intuition and
creativity”, and “must stop the conduct of literary workshops that homogenize
writings.”
In the presence of the millennials, Sionil Jose was
very pleased, intimating that he wants the youth to join the PEN. It is a
vision that needs an imaginative strategy, a realistic implementation plan, and
most important, creative engagement with sectors critical in nation-building.
At 61, the organization can breathe a freshness, by opening its doors to the
millennials who are currently writing the “nation”.
Historian Fe Mangahas, Vice-Chair of the Women in
Development (WID) Foundation, asked, “What is a nation? Can we write a nation?”
A difficult one to answer, even for a national artist. It is a question all
writers have to ask themselves.
It was an interesting session interrupted by a
lunch break, made humurous with the serious announcement of Santiago Villafania:
“First to line up will be the senior citizens and the members of the PEN….”
Most of the PEN members are seniors, and they constitute most of the seniors
who were present. After the “priority group”, all the others, including the
millennials, lined up. So many millennials attended. Not anticipating the overflow,
food ran out. Half-way through the line, Santiago announced, “Those of you who
were not able to get food, you have the option to go out and grab some food at
Jollibee… There are other restaurants as well.”
Moon dance
so fast, and quiet
you descend
in the silence.
in a moment, soft light blends
swallowing all traces of the dark
with the chorus of cocks
birds sharing tunes
insects contemplating
the next bite.
a mosquito hovers, digging
its straw into warm skin
her last meal, blood writing
a hasty epitaph.
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